出版时间:2010-10 出版社:上海大学出版社 作者:黄禄善 编 页数:567 字数:665000
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内容概要
这套《英国通俗小说菁华》是《美国通俗小说菁华》的姊妹篇,其编撰目的也同《美国通俗小说菁华》一样,旨在为我国大专院校英语专业及相关专业的学生以及社会上广大英语文学爱好者提供一座学习、欣赏英国通俗文学的桥梁。它将在我国国内首次展示英国各个历史时期的通俗文学发展的概貌,帮助广大读者在轻松、愉悦的阅读过程中,熟悉、掌握英国最贴近社会生活的语言,从而快速地提高英语运用能力。全套书约300万字,共分三卷,本书为20世纪下半期卷,汇集了该时期脍炙人口的英国通俗小说精华36篇,涉及新历史浪漫小说、超自然恐怖小说、新科学推测小说、间谍小说、色情小说、新魔法幻想小说、新女性小说、魔法恐怖小说、黄金侦探小说、英雄幻想小说、历史言情小说、硬科学小说等12个主要通俗小说类型和36个重要作家。
作者简介
黄禄善,上海大学外国语学院英语系教授,外国通俗文学研究中心主任。上海作家协会会员,上海翻译家协会会员。著有《美国通俗小说史》、《英美通俗小说概述》两部专著,译有《美国的悲剧》、《合伙人》、《鸽房女尸案》、《绿色贝雷帽》、《墓掘》、《荒岛剑鸣》等10部长
书籍目录
Chapter 1 Gothic Romantic Fiction 1. Overview 2. Daphne de Maurier: My Cousin Rachel 3. Victoria Holt= The Mistress of Mellyn 4. Mary Stewart, The Crystal CaveChapter 2 New Heroic Fantasy Fiction 1. Overview 2. 3. R. R. Tolkien: The Lord of the Rings 3. Susan Cooper: The Dark Is Rising 4. Tanith Lee: The BirthgraveChapter 3 New Espionage Fiction 1. Overview 2. Ian Lancaster Fleming, Goldfinger 3. Len Deighton. The IPCRESS File 4. John Le Carre. The Spy Who Came in from the ColdChapter 4 Police Procedural Fiction 1. Overview 2. John Creasey: The Toff and the Toughs 3. P. D. James: Shroud for a Nightingale 4. Ruth Rendell: A Demon in My ViewChapter 5 New Historical Romantic Fiction 1. Overview 2. Dorothy Dunnett: The Game of Kings 3. Catherine Cookson: The Mallen Girl 4. A. S. Byatt: Possession: A RomanceChapter 6 New-Wave Science Fiction 1. Overview 2. Brian Wilson Aldiss.The Dark Light Years 3. J. G. Ballard. The Crystal World 4. Michael Moorcock: Behold the ManChapter 7 Social Horror Fiction 1. Overview 2. James Herbert: The Rats 3. Ramsey Campbell: The Doll Who Ate His Mother 4. Clive Barker: Books of Blood ( Volume 1 )Chapter 8 Mitary Adventurous Fiction 1. Overview 2. Desmond Bagley: The Snow Tiger 3. Jack Higgins: The Eagle Has Landed 4. Dudley Pope: Ramage and the RebelsChapter 9 Historical Detective Fiction 1. Overview 2. Ellis Peters: Monk's Hood 3. Peter Lovesey: The False Inspector Dew 4. Lindsey Davis: The AccusersChapter 10 Lesbian Fiction 1. Overview 2. Jeannette Winterson: Oranges Are Not the Only Fruit 3. Patrick Gale: The Aerodynamics of Pork 4. Alan .Hollinghurst: The Line of BeautyChapter 11 New Women's Romantic Fiction 1. Overview 2. Joanna Trollope: The Rector's Wife 3. Barbara Taylor Bradford: Her Own Rules 4. Elizabeth Buchan: Everything She Thought She WantedChapter 12 Young Adult Magic Fantasy Fiction 1. Overview 2. Philip Pullman: His Dark Materials, Northern Lights 3. J. K. Rowling: Harry Potter and the Philosopher's Stone 4. Diana Wynne Jones: Dark Lord of DerkholmSelect Bibliography
章节摘录
Gothic romantic fiction, a type of historical romantic fiction with gothicelements, is the main current of British romantic fiction in 1960s. This newtide originates from a famous British woman writer, Eleanor Hibbert (1906-1993). In 1960, having been inspired by the whole success of Mary Johnston'sto Have and to Hold (1900) and Daphne du Maurier (1907 - 1989)'s Rebecca(1938), Eleanor Hibbert wrote Mistress of Mellyn (1960) by boldly blendinggothic mystery and horror elements into historical romantic fiction. This bookgot instant sensation after being published under the pen name of VictoriaHolt. The next year, it got republished in London and was also warmlywelcomed. After that, she published six gothic romantic novels in succession,and accumulated sales accounted for 4,000,000 volumes. Then, Britishwoman writers like Dorothy Eden (1912- 1982), Anya Seton (1904- 1990)and Mary Stewart (1916 -) all made their works successfully. EspeciallyMary Stewart, she was named as the queen of gothic romantic fiction. HerNine Coaches Waiting (1958) and other ten books were always among the listsof bestsellers, totally sold up to 10,000,000 volumes. At the same time,Daphne du Maurier continued to follow the road of Rebecca and published MyCousin Rache (1951) and other bestselling books.The birth and development of gothic romantic fiction is inseparable fromthe complicated social background. In 1960s, the popular images in Englishsociety were images of youth, liberation. A group of young rule-breakers likeHippie and Beatnik gradually filtered new ideas into people's mind,influencing people's values and beliefs. But there is, of course, the other sideof the 1960s —— a post-war Britain, temporarily affluent, but had to cope withthe loss of her position as a world power and underwent a process ofdecolonization which paid attention to the historical meaning of loss ofEmpire.
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《英国通俗小说菁华(20世纪下半期卷)(英文)》是由上海大学出版社出版的。
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