罗曼·罗兰传

出版时间：2002-10  出版社：北京广播学院出版社  作者：斯蒂芬·茨威格  页数：377  
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内容概要

我们曾经敬奉之至的多少座丰碑都已坍塌破碎,被动荡夷为平地;罗曼·罗兰树起的丰碑却挺过枪林弹雨空过唇枪舌剑,傲然几立.
他们作品是人们强大的精神支柱,在这个骚动的世界上,一节具有自由灵魂的人们,都可以到这儿录求安慰.
他的著作经过高温熔炉的所复冶炼,盈溢 着一种悲天悯人的宗教情怀,以及对人类无限深情的眷有,他恰像一具精的小提琴,既能弹奏出无限温柔与和谐嫩口天婴般 妙唱,也能加入到庞大乐队中合奏出汪洋大海汹涌澎湃的洪章,他的思想在席卷着欧洲的战争风暴中巍然不动

作者简介

梦一般的音乐之都维也纳蕴育出的文学天才一位深迫的世界主义者与和平主义者用生命去感知并促进个体之间、民族之间的相互理解对未知世界、个人命运充满无尽好奇与创作的激情心理分析的方法悄无声息地融入他的作品中探寻人类内心深处跌宕多变的激情关照个体的痛苦与顽强不息的挣扎这使得他的作品跨越了国别与民族的界限在世界各地的读者心中点燃人性之光并成为他们汲取人生哲思的无尽源泉他用自身的生命与苦难时代抗争的不屈姿态也永远留在了纷繁的历史记忆之中

书籍目录

PART ONE: BIOGRAPHICAL
TPRT TOW:EARLY WORK AS A DRAMATIST
PART THREE:THE HEROIC BIOGRAPHIES
PART FOUR: JEAN CHRISTOPHE 
TPRT FIVE: INTERMEZZO (COLAS BREUGNON)
PART SIX :THE CONSXIENCE OF EUROPE

章节摘录

　　of Jean Christophe applies perfectly to himself:　"Lesucces n6tait pas son but; son but etait la foi."　[Notsuccess, but faith was his goal.]　　Fame loved Rolland who loved fame from afar, un-obtrusively.　"It were pity," fame seemed to say, "todisturb this mans work.　The seeds must lie for a while　　in the darkness, enduring patiently, until the time comesfor germination." Reputation and the work were grow-hag in two different worlds, awaiting contact.　A smallcommunity of admirers had formed after the publicationof Beethoven.　They followed Jean Christophe in hispilgrimage.　The faithful of the "Cahiers de la quin-zaine" won new friends.　Without any help from thepress, through the unseen influence o　responsive sym-paties., the circulation of his works grew.　Transla-　　tions were published.　Paul Seippel, the distinguishedSwiss author, penned a comprehensive biography.newspapers had begun to print his name.　The crown-　　Rolland had found many devoted admirers before theing of his completed work by the Academy was nothingmore than the sound of a trumpet summoning the armies　　of his admirers to a review.　All at once accounts ofRolland broke uponthe world like a flood, shortly be-fore he had attained his fiftieth year,　In 1912 he was　　still unknown; in 1914 he had a wide reputation.　Witha cry of astonishment, a generation recognized its leader,and Europe became aware of the first product of the newuniversal European spirit.　　There is a mystical significance in Romain Rollandsrise to fame, iust as in every event of his life.　Fame came late to this man whom fame had padded by during the bitter years of mental distress and material need.Nevertheless it came at the right hour, since it camebefore the war.　Rollands renown put a sword into hisband.　At the decisive moment he had power and avoice to speak for Europe.　He stood on a pedestal, sothat he was visible above the medley.　In truth famewas granted at a fitting time, when through sufferingand knowledge Rolland had grown ripe for his highestfunction, to assume his European responsibility.　Repu-　　tation, and the power that reputation gives, came at amoment when the world of the courageous needed aman who should proclaim against the world itself theworlds eternal message of brotherhood.CHAPTER XIII　　ROLLAND AS THE　EMBODIMENT OF　THE EUROPEAN SPIRIT　　HUS does Rollands life pass from obscurity into　　the light of day.　Progress is slow, but the　　impulsion comes from powerful energies.　Themovement towards the goal is not always obvious,and yet his life is associated as is none other with thedisastrously impending destiny of Europe.　Regardedfrom the outlook of fulfillment, we discern that all theostensibly counteracting influences, the years of incon-spicuous and apparently vain struggle, have been neces-sary; we see that every incident has been symbolic.The career develops like a work of art, building itselfup in a wise ordination of will and chance.　We shouldtake too mean a view of destiny, were we to think itthe outcome of pure sport that this man hitherto unknownshould become a moral force in the world during thevery years when, as never before, there was need forone who would champion the things of the spirit.　　The year 1914 marks the close of Romain Rollandsprivate life.　Henceforth his career belongs to theworld; his biography becomes part of history; his per-sonal experiences can no longer be detached from hispublic activities.　The solitary has been forced out of　　ROLLAND　AND　THE　EUROPEAN　SPIRIT53　　his workroom to accomplish his task in the world.　Theman whose existence has been so retired, must now livewith doors and windows open.　His every essay, hisevery letter, is a manifesto.　His life from now onwardshapes itself like a heroic drama.　From the hour whenhis most cherished ideal, the unity of Europe, seemebent on its own destruction, he emerged from his re-tirement to become a vital element of his time, an im-personal force, a chapter in the history of the Europeanspirit.　Just as little as Tolstois life can be detachedfrom his propagandist activities, just so little is therejustification in this case for an attempt to distinguish be-tween the man and his influence.　Since 1914, RomainRolland has been one with his ideal and one with thestruggle for its realization.　No longer is he author,poet, or artist; no longer does he belong to himself.　Heis the voice of Europe in the season of its most poignantagony.　He has become the conscience of the world.　　CHAPTER I　　THE　 WORK　AND　 THE　 EPOCH　　OMAIN ROLLANDS work cannot be under-　　stood without an understanding of the epoch inwhich that work came into being.　For herewe have a passion that springs from the weariness ofan entire country, a faith that springs from the disil-lusionment of a humiliated nation.　The shadow of 1870was cast across the youth of the French author.　Thesignificance and greatness of his work taken as a wholedepend upon the way in which it constitutes a spiritualbridge between one great war and the next.　It arisesfrom a blood-stained earth and a storm-tossed horizonon one side, reaching across on the other to the newstruggle and the new spirit.　　It originates in gloom.　A land defeated in war islike a man who has lost his god.　Divine ecstasy is sud-denly replaced by dull exhaustion; a fire that blazedin millions iscinder remain.　　extinguished, so that nothing but ash andThere is a sudden collapse of all values.Enthusiasm has become meaningless; death is purpose-less; the deeds, which but yesterday were deemed heroic,are now looked upon as follies; faith is a fraud; beliefin oneself, a pitiful illusion.　The impulse to fellowship　　ades; every one fights for his own hand, evades respon-　　……

媒体关注与评论

　　编者的话　　《名人名传丛书》是一大型文化建设工程，在其起步之初，编者，有话告之于读者：　　历史是无数人物之传记。史源于事，事源于人；无人则无事，无事则无史。马克思、恩格斯有言：“历史不过是追求着自己目的的人的活动而已。”评述“追求着自己目的的人的活动”，即成传记；解读传记，因而即是解读历史。无数人物之传记构成为历史，于无数人物之传记之外另求一历史，则无历史矣。　　传记是传主成败得失之记录。传记讲解传主之成败得失，名传讲解名人之成败得失。讲善恶可也，讲贤不肖可也，讲毁誉可也，但均不及讲智愚、讲成败得失来得根本。名人之跌倒与爬起、之挫败与新生，其中之“一阴一阳之道”，正是后人入世立足之航标灯、之后车鉴、之警示牌。解读传记，尤其是解读名人之传记，恰如为自己“主政”请来无数大智大勇之“垂帘听政者”。　　名人所作之传记是人文之精华。名人为名人作传，恰如“酒逢知已”、“棋逢对手”，一举一动，一言一行，均了然于心，尽在不言中。凡人为名人作传，所以不能上境界，在凡人无以跟上名人之大智大意；名人为名人作传，所以能动人心弦，在名人可以看穿名人之背后，从而能对传主之成败得失，达致“同情之了解”。酒不逢知己，酒而无味；棋不逢对手，棋而无趣。读者犹如旁观者，看两强之打斗，自可以锻炼自己、提高自己，而向名人靠近一小步。名人为名人作传，记录名人之成败得失，从而也就记录了历史。吾人解读名人所作名人之传记，读懂名人之成败得失，从而也就读懂了历史。　　基于以上认识，《名人名传丛书》将尽可能发掘、整理名人所撰名人之传记。在近年内，将推出中文版名人名传100种、英文版名人名传100种，每种均在原文字基础上，配以精美插图，以收图文并茂、相得益彰之效。此工程而能完工，将是中国文化建设史上的一件大事。　　《名人名传丛书》由名人传记文化研究中心编辑。该中心在编辑现有名人名传的同时，亦准备推出名人文集和名人研究系列，欢迎赐稿。　　联系地址：北京西城区德外五路通街Q9号院2号楼　名人传记文化研究中心

编辑推荐

　　《名人名传丛书》由名人传记文化研究中心编辑。该中心在编辑现有名人名传的同时，亦准备推出名人文集和名人研究系列，欢迎赐稿。

用户评论 (总计1条)

•   书的第一页隐约有一个图书印章，还好书不破，也许是罗兰的私人小刻。