出版时间:2007 出版社:New Star Press 作者:Li Ershi Zhong Dafeng 译者:朱林勇
书籍目录
窗与镜中国梦中国式家庭乡土中国:中国西部影片中国农村的新面貌和新景象城市的万花筒和多棱镜儿童教育青春成长爱情啊,你姓什么女性声音的交响男性形象面面观老人形象历史战争影片的主导进程反思而不是回避:文革题材影片融合中的两岸三地电影中国电影明星中国电影索
章节摘录
版权页:插图:The success of Swordsman (director King Hu, executivedirector Hark Tsui), produced at Tsui's film studio in 199omarked a new era, both for Tsui and for Chinese wuxiafilm itself. Many of Tsui's films are based on a traditionalwuxia framework reinterpreted by means of comedicand magic-realist elements as well as contemporary filmtechnology and packaging gimmicks. The big name actorsinvolved in Tsui's wuxia films no doubt helped bring itboth critical kudos and box office success. Wuxia fantasieswere the undisputed leading light of the I99OS Chinesefilmmaking industr. Hark Tsui's films heralded a newly opulent level ofwuxia, whose imposing scenery; glamorous settings andnovel kungfu stunts were made possible by means ofinnovative, high-tech visual artistrv. It is exemplifiedby successful wuxia films such as Swordsman, Dragon Inn(1992) and Swordsman II (1993). To some extent these filmsevoked the feelings of insecurity felt by many Hong Kongresidents as their liberation from British colonizationloomed. They also illuminated both the history and thereality of Hong Kong.
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《电影·感受中国》由新星出版社出版。
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