莎士比亚在中国

出版时间：2010-9  出版社：孙艳娜 河南大学出版社 (2010-09出版)  作者：孙艳娜  页数：341  

内容概要

《莎士比亚在中国》对莎士比亚进行了研究。Dr. Yanna Sun has undertaken the challenging task to document the culturaland literary exchange between Chinese artists, translators and theatredirectors on the one hand, and English-speaking Shakespearean scholars ofthe West on the other. Thus her book embarks on an important but hithertorather marginalized topic. She does this with an unusual commitment toscholarly learning, going beyond Zhang Xiaoyang's study Shakespeare in China

作者简介

孙艳娜，1971年生，河南郑州人。郑州轻工业学院外语系校聘副教授。先后获河南大学文学学士学位，德累斯顿工业大学文学硕士学位和文学博士学位。研究方向为莎士比亚在中国、英美文学。归国两年先后在国内外期刊发表专业论文数篇，完成河南省教育厅人文社科课题一项，河南省哲学社会科学规划项目正在研究之中。

书籍目录

PrefaceTextual NotesIntroductionChapter 1 The History of China's Reception of Shakespeare1.1 Initial Phasefrom the Mid-19th Century to the Turn of the 20th Century）1.2 Transitional Phasefrom 1903 to 1920）1.3 Real Beginnings of Chinese Shakespearefrom 1921 to 1949）1.4 Dawning of Chinese Shakespearean Criticism in the 1950s）1.5 A Halt to Shakespearean Studiesduring the Cultural Revolution of 1966 to 1976）1.6 Resuscitation of Shakespearean Studies after the Cultural Revolution）1.7 The Flowering of Shakespearean Studiesfrom the 1980s to the End of the 20th Century）1.8 A Promising Future of Chinese Shakespearethe 21st Century）Chapter 2 Similarities between Shakespearean and Traditional Chinese Theatre2.1 Script2.1.1 Source2.1.2 Structure2.1.3 Imperial Theme2.2 Stage2.2.1 Verbal Image2.2.2 Supernatural Elements2.2.3 Use of Aside or Soliloquy2.2.4 Free Deployment of Time and SpaceChapter 3 Shakespeare,an Translations in China3.1 Difficulties in Translating Shakespeare3.1.1 Language Divergences3.1.2 Cultural Differences3.2 Methods of Rendering Shakespeare3.2.1 Chinese Translation Theory3.2.2 Translating Methods3.3 Literary Forms in Translating Shakespeare3.3.1 Fiction Form3.3.2 Prose Form3.3.3 Verse Form3.4 Rendering Complete Plays of Shakespeare ！3.4.1 Cao WeifengChapter 4 Shakespearean Criticism in ChinaChapter 5 Performing Shakespeare on theChapter 6 Chinese Productions of ShakespeareConclusionBibliographyGlossaryAcknowledgements

章节摘录

版权页：插图：In Lin's opinion, these translationcriteria stand for three responsibilities of the translator:fidelity/faithfulness emphasizes the translator's responsibilityto the original author, mellifluence/readability requires thetranslator's fluency in Chinese, his/her responsibility for his//her target reader, aesthetic quality/refinement is an artisticresponsibility in terms of art.With the development of translation studies in China, theintroduction of Western translation theories in particular, YanFu's three-character translation criteria have suffered fromsevere criticism: "Yan Fu has apparently done little to deservethe conspicuous, almost overblown, position he has beengranted in the history of translation theory."~ Sometranslation critics condemned its vagueness and called forconcrete theories through the studies of Western linguistics."The result is that the content of these three traditional criteriahas been greatly enriched, especially by the effect equivalencetheory, which in a broad sense means that the target languageshould be equivalent to the source language from a semantic,pragmatic, and stylistic point of view."@ For example, thelinguistic approach to translation studies has become popular inthe field of translation, as shown in Luo Xuanmin's "LinguisticContributions to the Development of Translation Studies.

媒体关注与评论

Dr. Sun has made a successful effort to utilize Chinese as well as German andEnglish primary materials. This is evident also from her careful treatment ofthese materials in the notes, from the bilingal bibliography, the inclusionof Chinese characters in the footnotes, and a helpful glossary.Thus, Dr. Sun's study is a valuable contribution to Shakespeare criticism,and it is hoped that she will help Chinese students to come to terms withthe plays of the eminent English playwright.　　——Prof. Dr. Uwe BSker

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《莎士比亚在中国》是英语博士文库之一。