出版时间:1970-1 出版社:四川大学出版社 作者:田俊武 页数:341
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内容概要
《从柏拉图到尼采:古典西方文论纵横》以历时的概览和共时的细读相结合,梳理了西方古典文学理论发展的脉络,重点分析了柏拉图,亚里士多德、贺拉斯、朗基努斯、锡德尼,约翰逊、黑恪尔、康德、尼采等西方文学理论大家的文学理论观点。其特色如下:力图将西方文学发展史与西方文艺理论发展史结合起来,以主线突出、点面结合,史论并重的形式,在总体框架中凸显文艺思潮演进的主流。 凝聚作者多年的研究心得,理论上有所创新。对以往不受重视但延续了千余年的中世纪和文艺复兴时期的文论,作者有新的发掘和开拓;对过去似乎已有定见的古希腊和德国古典时期的文论,作者亦有新的阐释和评析。 逆辑性与可读性强,多视角、全方位地勾勒出西方文艺理论的嬗变过程和演进脉络,结构上具有哲学的思辨性和系统性,行文中又具有文学的形象性和具体性,使漫长而散乱的西方文艺理论史和文艺理论分析成为一个有机的整体。
书籍目录
Introduction1.What Is Theory of Art and Literature?2.The Importance of Learning Western Literary TheoryChapter 1 Literary Theories in Ancient Greece1.Social Background2.The Literature of Ancient Greece3.The Literary Theories Before Plato and AristotleChapter 2 Plato1.Life and W0rks2.Plato's Theory of Philosophy and Politics3.Theory of Literature and Art4.Plato's InfluenceChapter 3 Aristotle's Poetics1.Life and Works2.Literary Theories in Aristotle's Poetics3.Influence of Poetics to Western CriticismChapter 4 Literary Theories in Ancient Rome1.Social and Cultural Backgrounds2.Literature of Ancient Rome3.The Literary Theory in Ancient RomeChapter 5 Horace's Art of Poetry1.Life Career of Horace2.The Main Content of Art of Poetry3.The Influences of HoraceChapter 6 Longinus' On the Sublime1.About the Author and the Text2.The Content of On the Sublime3.The Influence of On the SublimeChapter 7 Literary Theories of the Midge Ages1.Social and Cultural Backgrounds2.Literary Works in the Middle Ages3.Literary Theories in the Middle AgesChapter 8 Literary Theories of Renaissance1.A Brief Introduction to Renaissance2.Main Literary Theories of Italy during the Renaissance3.Literary Criticism in England during the RenaissanceChapter 9 Philip Sidney's An Apology for Poetry·1.Life of Philip Sidney2.The Reason of Writing An Apology for Poetry3.An Apology for Poetry4.Poet as the Maker and Feigner5.The Significance of Sidney's An Apology for PoetryChapter 10 Thomas Hobbes's “Answer to Davenant's Preface to Gondibert”1.Introduction to Thomas Hobbes and William Davenant2.“Answer to Davenant's Preface to Gondibert”3.Evaluation of Hobbes's Poetry TheoryChapter 11 Literary Theories of the Enlightenment1.Literary Background of Enlightenment2.Literary Theories of France3.Literary Theories of EnglandChapter 12 Samuel Johnson's Preface to the Plays of William Shakespeare1.Life Career and Works of Samuel Johnson2.The Main Contents of Preface to the Plays of William Shakespeare3.Johnson's Influence and ReputationChapter 13 David Hume and His of the Standard of Taste1.Life,Works and Philosophy of David Hume2.Of the Standard of TasteChapter 14 German Literary Theory of Enlightenment and Neoclassical Period1.Social and Cultural Backgrounds2.General Features of Literature3.Literary TheoriesChapter 15 The Romantic Literary Theory1.The Background of Romanticism2.Literary Theory of Romanticism in Germany3.Romantic Literary Theory in BritainChapter 16 William Wordsworth and His Preface to Lyrical Ballads1.Life of Wordsworth2.Preface to Lyrical Ballads3.Comment on Wordsworth's Critical TheoryChapter 17 Friedrich Nietzsche and His The Birth of Tragedy1.Life Career and Ideas of Nietzsche2.The Birth of Tragedy3.Evaluation of Nietzsche's The Birth of TragedyEnding ChapterBibliography
章节摘录
According to Hegel,the ideal classical art is the Greek art,which fully embodies the features of the classical art.Gods in the eyes of the Greek people are not awe-looking but human,and have the joys and sorrows of human beings.For example,Zeus is the concrete representation of justice, morality and power,Athena is the embodiment of wisdom and peace.Despite the specific character of a particular god,each single god is a comprehensive totality.While their blessedness lies in their universal and spiritual self-repose,the gods can still be active and effective in human existence.The plurality of individual gods allows the artist to portray the universal divine in human shape,for their eternal serf-repose permits the gods to intervene in human affairs to a certain extent before they withdraw into themselves;their presentation in a particular bodily form enables US to relate to the finite characterization of the gods. ……
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