出版时间:2008年 出版社:外语教学与研究出版社 作者:Michael Toolan 页数:250
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内容概要
作为一本面向文学学学习者的入门书籍,本书以深入浅出的语言解释文学语言学中的核心概念及主题,在细致观察作品的写作技巧的同时,探究语言产生文学效果与意味的种种途径与方式。作者选取诗歌、短篇小说、长篇摘录、广告以及儿童作品实践活动素材,引导读者使用语言学术语进行文本分析,不但适合读者自学,对从事文学文体学教学及研究的教师也具有重要的参考价值。
书籍目录
AcknowledgementsPreliminaries1.Getting started2.Cohesion: making text3.Modality and attitude4.Processes and participants5.Recording speech and thought6.Narrative structure7.A few well-chosen words8.Talking: acts of give and take9.PresuppositionReferences and recommended further readingIndex
章节摘录
A cut-price crowd, urban yet simple, dwelling Where only salesmen and relations come Within a terminate and fishy-smelling Pastoral of ships up streets, the slave museum, Tattoo-shops, consulates, grim head-scarfed wives; And out beyond its mortgaged half-built edges Fast-shadowed wheat fields, running high as hedges, Isolate villages, where removed lives Loneliness clarifies. Here silence stands Like heat. Here leaves unnoticed thicken, Hidden weeds flower, neglected waters quicken, Luminously-peopled air ascends; And past the poppies bluish neutral distance Ends the land suddenly beyond a beach Of shapes and shingle. Here is unfenced existence: Facing the sun, untalkative, out of reach. The stylistic mentality is always on the lookout for one or more of the following: pattern repetition recurrent structures ungrammatical or language-stretching structures large internal contrasts of content or presentation. And it is not embarrassed about beginning a discussion with broad orvague first impressions, so-called intuitive or subjective responses,and keeping those in mind as the discussion works its way from thegeneral to the specific. What, then, are your first impressions of thispoem? It would be useful if you read over the poem again, and jotteddown your first impressions and reactions, before reading on. My own first impressions are that the poem seems to involve ajourney, a movement from one place to a different one; that it is highlydescriptive, indeed quite packed with mentioned things; and that thefinal eight lines contrast, in many respects, with what goes before. Forinstance, they seem both more contemplative and more positive intone than the earlier lines, or more approving of what they report.These immediate reactions do much to shape the closer languageanalysis that follows; they are claims that the more detailed attentionwill now seek to bolster, or adjust. I believe a similar progression, fromfirst impressions to closer study shaped by those first impressions,typically happens whenever we encounter a new poem, or new picture- or a new acquaintance for that matter. Influential though they are.
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