草书历代书论选-经典碑帖集字创作蓝本

出版时间：2012-2  出版社：湖南美术出版社  作者：李宏伟  页数：60  

内容概要

《经典碑帖集字创作蓝本》以古代经典文选作品为内容，通过现代计算机技术，将历代经典碑帖行草范字集合在书法作品中，力求风格统一，行气流畅，章法形式多样，既可直接供书法爱好者临摹，又可为其书法创作提供借鉴，集书法与文学价值于一身。本册为草书历代书论选。

书籍目录

【中堂】、【横卷】
蔡邕《九势》· ······················01
王羲之《书论》· ·····················02
羊欣《采古来能书人名》· ·················03
虞龢《论书表》· ·····················04
王僧虔《论书》· ·····················05
虞世南《笔髓论 指意》· ··················06
张怀瓘《书议》· ·····················07
徐浩《论书》· ······················08
卢携《临池妙诀》· ····················09
欧阳修《试笔 学书为乐》· ·················10
苏轼《题遗教经》· ····················11
黄庭坚《跋兰亭》· ····················12
黄庭坚《李致尧乞书书卷后 论书》· ·············13
米芾《海岳名言》· ····················14
米芾《海岳名言》· ····················15
赵构《翰墨志》· ·····················16
解缙《春雨杂述》· ····················17
丰坊《书诀》· ······················18
董其昌《题献之帖后》· ··················19
董其昌《画禅室随笔》· ··················20
董其昌《画禅室随笔》· ··················21
董其昌《画禅室随笔》· ··················22
傅山《霜红龛集》· ····················23
冯班《钝吟书要》· ····················24
冯班《钝吟书要》· ····················25
冯班《钝吟书要》· ····················26
笪重光《书筏》· ·····················27
梁巘《评书帖》· ·····················28
梁巘《评书帖》· ·····················29
梁巘《评书帖》· ·····················30
钱泳《履园丛话》· ····················31
钱泳《履园丛话》· ····················32
朱履贞《书学捷要》· ···················33
朱履贞《书学捷要》· ···················34
米芾《海岳名言》· ····················35
吴德旋《初月楼论书随笔》· ················39
吴德旋《初月楼论书随笔》· ················40
包世臣《艺舟双辑》· ···················41
刘熙载《书概》· ·····················42
刘熙载《书概》· ·····················43
刘熙载《书概二则》· ···················44
周星莲《临池管见》· ···················45
周星莲《临池管见》· ···················46
朱和羹《临池心解》· ···················47
朱和羹《临池心解》· ···················48
朱和羹《临池心解》· ···················49
朱和羹《临池心解》· ···················50
康有为《广艺舟双楫》· ··················51
康有为《广艺舟双楫》· ··················52
康有为《广艺舟双楫》· ··················53
康有为《广艺舟双楫》· ··················54
康有为《广艺舟双楫》· ··················55
董其昌《画禅室随笔二则》· ················57
【扇面】
黄庭坚《论书》· ·····················58
朱履贞《书学捷要》· ···················59

编辑推荐

　　临摹是书法学习中的重要手段，也是不可逾越的途径。从古至今，所以的书法大师都是以临摹的方式，站在前人的肩膀上而最终获得成就的。当然，临摹的最终目的还是创作。那么，我们如何创作？如何从临摹过渡到创作？基于此，我们特别策划了《经典碑帖集字创作蓝本》这套书，聘请国内一流学者和著名书家共同编撰，在文字内容上力求经典，在书法风格上力求和谐，同时兼顾形式的丰富多样。——胡紫桂

用户评论 (总计4条)

•   此书很好，既有观赏性，又有实用性。不同于以往的集字帖，给临摹和创作提供了非常好的蓝本。
•   选字还行，对我有帮助
•   书论我还没有仔细看，看后我在评论。
•   好好爱护哦啊好撒旦