出版时间:2011-5 出版社:中央编译出版社 作者:Hendrik Willem van Loon
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内容概要
Upon that much we can probably agree
without anyfurther argument. But when I say, "Art is
universal,"there is an immediate danger that you will think of
art(of either music or painting or sculpture or dancing) as if it
were somesort of universal language, understood by everybody in
every part ofthe world. Which of course is not true at all. What
happens to be the mostsublime form of music Io me, who am sitting
at my desk upstairs-sayBach's Fugue in G minor-is just so much
unpleasant noise to my poorwife, who within a few minutes will be
copying these pagesdownstairs, far removed from the gramophone and
the fiddle.
作者简介
亨德里克·威廉·房龙(1882~1944):荷裔美国人,著名学者。他是出色的通俗作家,在历史、文化、文明、科学等方面都有著作,而且读者众多。他是伟大的知识普及者,大师级人物。从1913年起,他开始写书,直到1921年写出《人类的故事》,一举成名,从此饮誉世界。代表作包括《宽容》、《圣经的故事》、《发明的故事》、《房龙地理》等。郁达夫曾说。房龙的笔有一种魔力。干燥无味的科学常识经他那么一写。变得娓娓动人。
书籍目录
FOREWORD
CHARTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SiX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHARTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAFFER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAFFER NINETEEN
CHAPTER TWENTY
CHAPTER TWENTY-ONE
CHAFER TWENTY-TWO
CHAPTER TWENTY-THREE
CHAPTER TWENTY-FOUR
CHAPTER TWENTY-FIVE
CHAPTER TWENTY-SIX
CHAPTER TWENTY-SEVEN
CHAPTER TWENTY-EIGHT
CHAFFER TWENTY-NINE
CHAPTER THIRTY
CHAPTER THIRTY-ONE
CHAPTER THIRTY-TWO
CHAPTER THIRTY-THREE
CHAPTER THIRTY-FOUR
CHAPTER THIRTY-FIVE
CHAPTER THIRTY-SIX
CHAPTER THIRTY-SEVEN
CHAPTER THIRTY-EIGHT
CHAPTER THIRTY-NINE
CHAPTER FORTY
CHAPTER FORTY-ONE
CHAPTER FORTY-TWO
CHAPTER FORTY-THREE
CHAPTER FORTY-FOUR
CHAPTER FORTY-FIVE
CHAPTER FORTY-SIX
CHAPTER FORTY-SEVEN
CHAPTER FORTY-EIGHT
CHAPTER FORTY-NINE
CHAPTER FIFTY
CHArtER FIFtY-ONE
CHAPTER FIFtY-TWO
CHAPTER FIFTY-THREE
CHAPTER FIFTY-FOUR
CHAPTER FIFTY-FIVE
CHAPTER FIFTY-SIX
CHAPTER FIFTY-SEVEN
CHAPTER FIFTY-EIGHT
CHAPTER FIFTY-NINE
CHAPTER SIXTY
CHAPTER SIXTY-ONE
CHAFFER SIXTY-TWO
CHAPTER SIXTY-THREE
AN AFTERTHOUGHT
章节摘录
插图:The music of johann Sebastian Bach was a matter of constant imtation to his employers in Leipzig. The Emperorjoseph ii of Austria complained to Herr Mozart that there were "too many notes" in his music. Richard Wagner scompositions were hooted off the concert platform. Arab or Chinese music,that makes the average Arab or Chinese roll his eyes in deep rapture, happens to affect me personally as ifl were listening to a bitterly contested cat fight in the neighbor's back yard.Wherefore, when I say that art is uruversal, I merely mean that art is not bound to any particular country or to any particular period of time. For art is as old as the human race and it is just as much part of man as are his eyes or his ears or his hunger or his thirst. The lowest savage of the most desolate part of Australia,who in a great many ways is quite inferior to the animals which share his loneliness, who has never even learned how to build himself a house or how to wear clothes, had developed a very interesting art of his own. And while we have discovered several groups of natives who have no conception whatsoever of religion, we have never, as far as I know, come across a race(no matter how far it happened to be removed from the center of civilization) that was completely without some form of artistic expression.
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